|
Boxes
A musical box (UK usage; music box in US English) is a 19th century automatic musical instrument that produces sounds by the use of a set of pins placed on a revolving cylinder or disc so as to strike the tuned teeth of a steel comb. more...
Home
Antiquities
Architectural & Garden
Asian Antiques
Chinese
Baskets
Bowls
Boxes
Cabinets
Chairs
Chests
Glasses, Cups
Necklaces, Pendants
Other Items
Paintings, Scrolls
Plates
Pots
Snuff Bottles
Statues
Buddha
Dragon
Elephant
Horse
Kwan-yin
Men, Women, Children
Other
Tables
Vases
Japanese
Other
Southeast Asian
Books, Manuscripts
Decorative Arts
Ethnographic
Furniture
Maps, Atlases, Globes
Maritime
Musical Instruments
Other Antiques
Primitives
Rugs, Carpets
Science & Medicine
Silver
Textiles, Linens
They were developed from musical snuff boxes of the 18th century and called carillons à musique. Some of the more complex boxes also have a tiny drum and small bells, in addition to the metal comb. Alec Templeton, an avid collector of music boxes and a professional concert musician, once noted that the tone of a musical box is unlike that of any musical instrument (although it is best described as somewhere between the timbres of an mbira).
History
The original snuff boxes were tiny containers which could fit into a gentleman's waistcoat pocket. The musical boxes could have any size from that of a hat box to a large piece of furniture. Most of them were tabletop specimens though. They were usually powered by clockwork and originally produced by artisan watchmakers. For most of the 19th century, the bulk of musical box production was concentrated in Switzerland, building upon a strong watchmaking tradition. The first musical box factory was opened there in 1815 by Jérémie Recordon and Samuel Junod. There were also a few manufacturers in Bohemia and Germany. By the end of the 19th century, some of the European makers had opened factories in the United States.
The cylinders were normally made of metal and powered by a spring. In some of the costlier models, the cylinders could be removed to change melodies, thanks to an invention by Paillard in 1862, which was perfected by Metert of Geneva in 1879. In some exceptional models, there were four springs, to provide continuous play for up to three hours.
The very first boxes at the end of the 18th century made use of metal disks. The switchover to cylinders seems to have been complete after the Napoleonic wars. In the last decades of the 19th century, however, mass-produced models such as the Polyphon and others all made use of interchangeable metal disks instead of cylinders. The cylinder-based machines rapidly became a minority.
The term \"musical box\" is also applied to clockwork devices where a removable metal disk or cylinder was used only in a \"programming\" function without producing the sounds directly by means of pins and a comb. Instead, the cylinder (or disk) worked by actuating bellows and levers which fed and opened pneumatic valves which activated a modified wind instrument or plucked the chords on a modified string instrument. Some devices could do both at the same time and were often combinations of player pianos and musical boxes, such as the Orchestrion.
At the end of the 19th century and the beginning of the 20th, most musical boxes were gradually replaced by player pianos, which were louder and more versatile and melodious, when kept tuned, and by the smaller gramophones which had the advantage of playing back voices. Escalating labour costs increased the price and further reduced volume. Now modern automation is helping bring music box prices back down.
Read more at Wikipedia.org
|
|